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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Crew &amp; Cast - Make it stand out</image:title>
      <image:caption>Rick Tejada-Flores</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1630361617243-J3N4MGUDCL8EHCAA0309/Orozco_Catharsis.jpg</image:loc>
      <image:title>Crew &amp; Cast - Make it stand out</image:title>
      <image:caption>Catharsis by José Clemente Orozco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/fd0f6b38-69ed-438b-b90f-02b5f92096f3/damian.jpg</image:loc>
      <image:title>Crew &amp; Cast - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/f824fb77-d8ae-40df-bbd9-f28c0b8d3a2f/anjelica-huston.jpeg</image:loc>
      <image:title>Crew &amp; Cast - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1cb65743-bd4e-4bb1-a885-27fc78570f92/Arcelia-Rami%CC%81rez.jpg</image:loc>
      <image:title>Crew &amp; Cast - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orozcomanoffire.com/complete-list-of-mural-works</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1630350894707-398LIPN4J22P8HLGOHB7/Orozco_Man_of_Fire.jpg</image:loc>
      <image:title>List of Mural Works - Make it stand out</image:title>
      <image:caption>Man of Fire by José Clemente Orozco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1630351752512-5DCL66RFMJGNI3VKDO3S/Struggle_in_the_Orient.jpg</image:loc>
      <image:title>List of Mural Works</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1630351856782-LE05PG4NA7MS55JEUB68/Gods_of_the_Modern_World.jpg</image:loc>
      <image:title>List of Mural Works</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1630351957404-1NN71RITB4TNN5B6IPF5/zapatistas_marching.jpg</image:loc>
      <image:title>List of Mural Works</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orozcomanoffire.com/resources</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1631129058354-T834IYXYX2L9QMZ6K11U/the_trench.jpg</image:loc>
      <image:title>Resources - The Trench</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1631129058386-XEGWWOW2X6WSYXVYTY5R/dive-bomber-and-tank.jpg</image:loc>
      <image:title>Resources - Dive Bomber and Tank</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1631129059050-SE9TSEY7DJE4545LIZWO/la_primavera.jpg</image:loc>
      <image:title>Resources - La Primavera</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1631134204248-GLKV50EI1AJ2KPKBKMR4/Orozco-self-portrait-3.jpg</image:loc>
      <image:title>Resources - Orozco self-portrait</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1631134205137-LGGANPXFAUCASIWLH7V6/Orozco-self-portrait-2.jpg</image:loc>
      <image:title>Resources - Orozco self-portrait</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1631134204266-HEIARU6SG5Z2TER2KJ4Q/Orozco-self-portrait-1.jpg</image:loc>
      <image:title>Resources - Orozco self-portrait</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/52485add-5212-4166-897f-2ebe2863f392/Orozco-Emiliano-Zapata-Mural.jpg</image:loc>
      <image:title>Resources - Make it stand out</image:title>
      <image:caption>Hispano-America, The Epic of American Civilization by José Clemente Orozco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orozcomanoffire.com/trailer</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-09-08</lastmod>
  </url>
  <url>
    <loc>https://www.orozcomanoffire.com/production-stills</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656701117671-YLTEAENWAULB9PL6R4DQ/a.+PICT0053.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>El Volcan de Colima (Colima Volcano) near Orozco’s birthplace Zapotlan el Grande (VEF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656701118089-IEK3TMR4W2BKLRX8Q295/b.+Roll6DX-31A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Sizing up the volcano. L to R: Driver Rubén Medina, DP Vicente Franco, Co-Director Laurie Coyle (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656701119037-K0E9C3I7MLZKXYRUN3XE/c.+Roll6DX-23A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Ready to roll timelapse shot of volcano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656701119637-JLN4NOGEV05BCOJ1QE9V/d.+Roll6DX-25A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>¡Hecho! Done! DP Vicente Franco (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702929653-GBBK7WNKY8ASZW5ZVEOD/a.+PICT0002.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Crew, New School for Social Research, New School for Social Research</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702929671-NJF8PYMSY6ZD0S1YEK1B/b.+PICT0105.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>DP Vicente Franco and Grip William Clouter, New School for Social Research</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702930435-9ZYVI337P84ZI4XJUP0T/c.+PICT0112.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Gaffer Dave Cambria and Co-Director Laurie Coyle, New School for Social Research</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656700491758-I27O92TIYHAK2W5J1Q1D/a.+PICT0044.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Padre (Father) Hidalgo fresco (VF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656700491754-U7I0T49876WWDTZMABTC/b.+Roll7DX-23A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Co-Director Rick Tejada-Flores survey frescoes at the Palacio de Gobierno (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656700492529-1LBH4CEP4BLX6VYXU09K/c.+Roll7DX-27A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>DP Vicente Franco checks angles beneath the Carnival of the Ideologies fresco (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656700492964-LRC8BS1U9VTMKPWKASZ3/d.+Roll7DX-30A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>On set, Padre Hidalgo fresco (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656700493217-YUZHTT9UXXSM9E7TQHMP/e.+Roll7DX-32A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>DP Vicente Franco ready to roll</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656700493624-KT5SMXSM09PIMRZUCWE8/f.+Roll7DX-25A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Reviewing Padre Hidalgo footage. L to R: Vicente Franco, Pepe Escoto, Rafael Sánchez (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656700494011-DD0YDEYVRHZX8C26YPF9/g.+Roll7DX-06A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Prepping steadicam for walking shots, courtyard Palacio de Gobierno (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656700494324-Z0EA6LLNOCZ1JC3TSF2M/h.+Roll7DX-20A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Steadicam Operator Gerardo Gómez and AC Rafael Sánchez (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656700494717-J8S5DAC9PYYRVTIX2ZT4/i.+Roll7DX-28A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Steadicam on set</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656700494977-YKH89S49SHXWEVI4NTPN/j.+Roll7DX-29A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Gerardo Gómez climbs the stairs with Steadicam while visitors view frescoes at the Palacio de Gobierno (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656700495427-TGZVMNBO7MYW3DNRAJOV/k.+Roll7DX-07A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Reviewing the Steadicam footage (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656700495653-872P2XLRZT0BDM08ZPOI/l.+Roll7DX-36A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Crew reads feature article about our production in the local newspaper (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702817715-6ORMIZ7PYEQ066SCEKNM/a.+PICT0093.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Mural Workers Struggle/Luchas Proletarias, Supreme Court (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702817826-DUV9Q41AWWAUU6Q532ZY/b.+DSCF0115.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>DP Vicente Franco views La Justicia/Justice, Supreme Court (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702818633-QAQONP9T90XYJIG9HF19/c.+DSCF0118.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Crew filming Justicia at the Supreme Court (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656703058158-KR4TE569CN0HEY57VJSV/a.+PICT0068.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Dive Bomber and Tank/Bombardero de picada: mural with 6 interchangeable panels, Museum of Modern Art, mezzanine with museum visitors (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656703058154-6X5W3KW98ML0U82EQHS3/b.+PICT0071.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Dive Bomber and Tank/Bombardero de picada: mural with 6 interchangeable panels, Museum of Modern Art, mezzanine with museum visitors (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656703059076-67GP4B4NSIYDZRLQYQQV/c.+PICT0058.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Dive Bomber and Tank/Bombardero de picada: mural with 6 interchangeable panels, Museum of Modern Art, mezzanine with museum visitors (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656703150946-0DLUM3K7NY1DDR74JFRC/a.+Anjelica+Huston+in+Recording+Studio+directed+by+Laurie+Coyle.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>updated: Anjelica Huston in the sound booth recording the film’s narration, directed by Laurie Coyle, Santa Monica CA (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656703150005-FXPGWYVS2NDKDFIES1F6/b.+BalletDancer+Frederika+Weil+Kirchner+Blue+Screen.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Ballet dancer Frederika Weil Kirchner performs on blue screen, Corte Madera, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656703151025-MOMACVNCW8T06F6N5V9P/c.+AlfredoOrozco+DSCF0033.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Alfredo Orozco, JCO’s son, interviewed in Mexico City (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656703151695-1HHLD1SI2EKIGD50Y4UD/d.+LCoyle+Interviews+ClementeOrozco+Roll5DX-20A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Laurie Coyle interviews Clemente Orozco, JCO’s son, Guadalajara Mexico (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656703151801-9FLMQL8FNQL3E0OLJD7M/e.+Clemente+Orozco+Interview+Roll5DX-34A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Clemente Orozco, JCO’s son, interviewed in Guadalajara (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656703152541-RHYDOB46K7V26YPHQ28A/f.+Hector+Garcia%2C+Rick+Tejada-Flores%2C+Manuel+Alvarez+Bravo-for-Web.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Co-Director Rick Tejada-Flores meets with two of Mexico’s greatest photographers that photographed JCO. L-R Hector Garcia, Rick Tejada-Flores, Manuel Alvarez Bravo. (photographer Laurie Coyle)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702609384-KTKRO4QSAQAYFZUU8O55/a.+PICT0096.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Orozco: Man of Fire crew poses at the front doors of the Templo de Jesus, Mexico City. (photographer unknown)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702375601-EZIOIXZ43GZGH39JNEF4/b.+PICT0094.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>One of the oldest Catholic churches in the Americas, construction for the Templo de Jesus el Nazareno began in 1601. The Conquistador Hernan Cortez is buried beneath the floor at the altar. (VF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702376622-OPMXFARI0XU60ZH3DW18/c.+DSCF0127.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Above the pews is Apocalipsis/The Apocalypse, JC Orozco’s radical re-envisioning of the Angel of Death and Four Riders of the Apocalypse. Painted in 1944. (VF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702376833-4DZF5EFZQPKFNUZX39VL/d1.+DSCF0132.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>The Templo de Jesus is still in operation as a parish church in downtown Mexico City, filled with statuettes and religious offerings. (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702377434-RA6YNR0CTYLZSS35AIM6/d2.+DSCF0144.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>The Templo de Jesus is still in operation as a parish church in downtown Mexico City, filled with statuettes and religious offerings. (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702640287-RPBW5ENMODVB3WWRGL2T/e.+DSCF0128.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Lighting crew at work at the Templo de Jesus (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702640384-FQVYE6J5UGPLEM3VB7TB/f.+DSCF0137.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Crew on location at the Templo de Jesus: L-R Co-Director Laurie Coyle, DP Vicente Franco, Crane Operator Jin Sahn Fung González, Orozco’s grandniece Elizabeth Orozco (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702378798-94Y6C5PYCTN79SDY8CAQ/g.+DSCF0139.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Crane set up to film Apocalypsis above the choir loft, Templo de Jesus (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702379302-E01LQVE5LPRO8S0BLQZ5/h.+DSCF0124.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Crew on lunch break, Templo de Jesus (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656702574880-THQM5VH86C2614TOEJSO/i.+DSCF0121.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Crew on lunch break: L-R Production Manager Gregorio Rocha, DP Vicente Franco, Co-Director Laurie Coyle, Templo de Jesus (RTF)</image:caption>
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      <image:title>Production Stills</image:title>
      <image:caption>DP Vicente Franco and camera gear en route to location. Traffic in the old downtown is so dense that it was faster for him to take his gear via bicycle-taxi than production van (RTF)</image:caption>
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      <image:title>Production Stills</image:title>
      <image:caption>Gaffer for Mexico City production Alberto Rentería (RTF)</image:caption>
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      <image:title>Production Stills</image:title>
      <image:caption>Antiguo Colegio de San Ildefonso in downtown Mexico City features José Clemente Orozco’s earliest frescoes (painted 1923-1926) including La Huelga/The Strike, La Trinchera/The Trench, La Destrucción del Viejo Orden/The Destruction of the Old Order. (VF)</image:caption>
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      <image:title>Production Stills</image:title>
      <image:caption>Maternidad/Maternity one of the frescoes that survived student attacks on Orozco’s earliest frescoes (VF)</image:caption>
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      <image:title>Production Stills</image:title>
      <image:caption>Co-Director Rick Tejada-Flores on location before the mural Los Aristócratas/The Aristocrats. (VF)</image:caption>
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      <image:title>Production Stills</image:title>
      <image:caption>San Ildefonso second floor tracking shot with Alberto, Antonio and Vicente (RTF)</image:caption>
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      <image:title>Production Stills</image:title>
      <image:caption>Set up for night shots</image:caption>
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      <image:title>Production Stills</image:title>
      <image:caption>DP Vicente Franco and Assistant Camera Rafael Sánchez</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1656701397297-6G5KC7H968KOP2BGAJ2X/j.+DSCF0093.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Tracking shot of murals at San Ildefonso</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398120951-14N114QOV80PMXLTLX2X/a_PICT0050.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Upon landing we pay a visit to José Clemente Orozco’s monument. L to R: Location Coordinator Antonio Loredo, Co-Directors Rick Tejada-Flores and Laurie Coyle, DP (Director of Photography) Vicente Franco (VF)</image:caption>
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      <image:title>Production Stills</image:title>
      <image:caption>Exterior Hospicio Cabañas, Guadalajara, México (VF)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398122754-PF2PWL78PAP80LQDZX65/c_HospicioPan.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Ceiling of the Hospicio Cabañas, known as the “Sistine Chapel of the Americas” (NJH)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398123370-DFK0YBGDK9B3JU18ZWKG/d_DSCF0005.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Location scouting in the rafters of the Hospicio Cabañas. L to R: Gaffer Pepe Escoto, DP Vicente Franco, Co-Director Laurie Coyle (RTF)</image:caption>
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    <image:image>
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      <image:title>Production Stills</image:title>
      <image:caption>Ground floor of Hospicio Cabañas as seen from the rafters (VEF)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398289898-0L811PC206OPDC924KHC/f_PICT0001.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>The city of Guadalajara seen from the cupola of Hospicio Cabañas (VF)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398291435-3WAUDOQCNEYOO3F2DT52/g_PICT0007.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Gaffer José “Pepe” Escoto on location</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398291715-RWKEITVN8798NAXR7B25/h_Roll4DX-17A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>DP Vicente Franco, Co-Director Rick Tejada-Flores, Production Manager Gregorio Rocha (NJH)</image:caption>
    </image:image>
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      <image:title>Production Stills</image:title>
      <image:caption>Orozco’s son Clemente visits the set (NJH)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills</image:title>
      <image:caption>Member of the lighting crew hangs gel over window, Hospicio Cabañas (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398509313-EVLO3WE3P1KCOV3G5FA7/j_PICT0017.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Production preparations Hospicio Cabañas (VF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398510298-LBRW8IHVYJQQG7T0DDY8/k_PICT0026.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Rigging the camera for a traveling jib (crane) shot of the Man of Fire. L to R: Gaffer Pepe Escoto, Assistant Camera Rafael Sánchez, Grip Enríque Gónzalez (VF)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills</image:title>
      <image:caption>Improvising camera rig for ceiling shot (VF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398512049-3D5BA5N9A7OBRM7ZA5OW/m_Roll9DX-11.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Framing the shot, ready to rise and roll. L to R: AC Rafael Sánchez, Grip Enrique González, DP Vicente Franco (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398696844-TNPBR1DVRXZGMKQWYYAI/n_Roll8DX-28A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Up and away, camera rises to the Man of Fire fresco (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398698763-E62MVNX7OZQVYL76IVWN/o_Roll8DX-20A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Checking the footage in the monitor. L to R: AC Rafael Sánchez, Jib Operators Jorge Ramos and Alejandro Varela, Co-Director Rick Tejada-Flores, DP Vicente Franco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398699079-J6RIADVZX94DU1F0IRN8/p_Roll3DX-30A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Co-Director Rick Tejada-Flores reviews the shot list (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655399102895-0WAUQGFP9XBMB8RQ0COD/q_Roll8DX-29A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Location Coordinator Antonio Loredo at work (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398920913-67GK5GDB3SZM2P4E0D95/r_Roll9DX-01.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>DP Vicente Franco and Co-Director Laurie Coyle planning afternoon shoot (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655399006738-K08NXMSSV4Y96LIV9091/s_DSCF0029.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Lighting check (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398787151-D3QSZA8OTKWUYO4S4MGJ/t_PICT0038.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Camera dolly tracks, Grip Eduardo Garcia (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398787350-SGW8M5YT776UFFBUSLGD/u_Roll9DX-34.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Camera dolly on tracks, Hospicio Cabañas (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398789439-99PRSXVRPETUGJ29PSZ9/v_Roll2DX-24A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Tracking shot, Hospicio Cabañas (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398791485-J2DJYG22EXSOZ3KSN69L/w_Roll4DX-07A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Hospicio Cabañas re-opens to the public (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398792162-H1CJ112BMITOGK9RFDIY/x_DSCF0057.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Photographer Najib Joe Hakim photographs bride and groom for closing shot of movie (RTF)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398794155-51RMFSDPA022KU545FM0/y_Roll4DX-30A.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>Vicente and Rafael film tour guide and crowd at Hospicio Cabañas (NJH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/1655398794286-7ILIS0OGFH2QRM1LIUJO/z_PICT0012.jpg</image:loc>
      <image:title>Production Stills</image:title>
      <image:caption>What the crowd was seeing: Orozco’s Man of Fire</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orozcomanoffire.com/educational-sales</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/37b602a0-42b6-4686-afca-06227429de23/GOOD-DOCS-Logo%2BTagline.png</image:loc>
      <image:title>Educational and Institutional Screenings and Sales - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/95b1e117-95f6-4b17-8ed0-b91b9630f1cc/Orozco_Table_of_Universal_Brotherhood.jpg</image:loc>
      <image:title>Educational and Institutional Screenings and Sales - Make it stand out</image:title>
      <image:caption>Table of Universal Brotherhood by José Clemente Orozco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60f710aff733ce2936017d63/6a2c23df-68f5-4040-8481-1aa6dab82c2c/Orozco-Man-of-Fire-poster.jpg</image:loc>
      <image:title>Educational and Institutional Screenings and Sales - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
</urlset>

